This will turn your BMPCC into a baby ARRI ALEXA... kind of

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Информация о This will turn your BMPCC into a baby ARRI ALEXA... kind of

Название	:	This will turn your BMPCC into a baby ARRI ALEXA... kind of
Продолжительность	:	9.04
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A few people have said the audio is really low in this video If you could let me know how the audio is for you and how you're watching, phone, desktop etc that would be most helpful Thanks Chris👍
Comment from : Christopher Michael Law

Emotive color's transform luts are better, his methodology for creating them is exacting and the highlight roll-off he incorporates can't really be achieved in an NLE brbrJuan Melaras are also great brbrTo me the differences will be more apparent in harsher conditions Cloudy days most cameras will look very similar Skin tones are a pretty necessary part when testing these luts though IMO the Alexa's skintone reproduction is why it's favored for narrative 99 of the time
Comment from : Renaissance Digital

I do like what Phantom luts are doing to the footage but imho emotive color seems to be a much closer match to what we call a Alexa look I do think either of these will work fine as a base correction on which you can build your final grade Emotive Color LUTS is clearly much better than CST transforms visually, speaking from hands on experience
Comment from : Poonam Kumari

This YouTube video looks like it was shot on real Alexa
Comment from : RedWhiteWorld

I have met a few cinematrographers and photographers who have visited my fair land, Australia I ask them "What about the light"? They all agreed about the wide open spaces, the harsh dry landscapes and the need for neutral density filters I suppose every country can have a suite of assets for each locale
Comment from : Cinema Ipswich

Thanks so much for sharing this info!
Comment from : Marshall Wieczorek

영어를 몰라서 아쉽다 ㅠㅠ
Comment from : Asdffpeoeijcx

I just bought the LUT I am using fs7 how it will work ?
Comment from : vinu jac

I work on large network TV film sets - most if not all shot on Alexa Mini, and most, if not all of these movies look absolutely terrible You'd think they were shot on some 1 inch sensor piece of garbage from the early 2000'sbrbrIt's because they are shot in 15 days and there is no time on set for good filmmaking, and no time in post for any proper color correctionbrbrObviously, you know this, but the camera just does not matter anymore Any mid range prosumer camera is better than anything that was available 10-15-20 years agobrI really only buy a camera now based on form factor, rig-ability, ease of use (menu setup, custom function buttons, etc) and most importantly, IO 👍
Comment from : Best Boy Electric

You can buy an Alexa classic and Amira for like $5k now
Comment from : Toothy-Galore

No matter what you shoot with the BM camera It`s not the colour range, not the bit depth and not the highlight roloff or dynamic range of an Alexa So what is this all about? Of course you can get good results with a BM Camera, too I´ld really prefer to stay in the native colour space of the camera I´m shooting with Grading is a very seperate thing, also comparing LUTs For analog Filmlook, I use "Filmconvert" for many years now For me still the best tool for "developing" digital film
Comment from : AyBee

The magic of Alexa images is just the proper hands of DoPs who uses it Almost any examples of Alexa supremacy is taken from movies shot by the talented DoPs, if they shot these shots with BM Pocket almost nothing in the images will be changed brProper lighting, location, time of day, composition, shooting direction, makeup, lenses, filters, camera movement, and so on has a general impact on the image brSaying as a DoP who shot a lot of short films and one feature film
Comment from : Michael Weizenfeld

as a sidenote, the new "gyro" stab BM releases as firmware almost completely removed any rolling shutter on my BMPCC6k, ive not seen anyone talk much about this and its a massive game changer RS was my biggest gripe for handheld and I cant believe how well "gyro" removes it Onto the video, best thing you can do is learn to grade properly, its important to know "why" before you dive in if youre serious about it shame so many just dont understand their color management example: ive seen hundreds of videos of people trying the "film look" LUTS in resolve and have no idea they need CST into cineon they just complain it "garbage" because it makes their REC709 look so dark color management in resolve is the key too many people just using LUTS as a filter and thats really missing the big picture here thanks for sharing and happy shooting
Comment from : teddy pendergrass

People neeed to stop believing this crap, alexa are $60,000 cameras, you can not turn a blackmagic camera into a alexa or red with luts When people say this it's funny You can't turn a Honda into a Lamborghini so no this will not make blackmagic to an alexa
Comment from : Dark Echo Productions LLC

to answer the question: there definitely is an "Alexa look" having used Alexas before in film school, they definitely have their own unique look But colour grading is always a necessary part of filmmaking so unless you've used one, or seen Arri RAW, you wont ever see it
Comment from : BoganKoala

Hello Christopher This video was amazing and helped me quite a lot I am more of a narrative film maker and in the market for a new camera (my first camera ever) My main purpose is video brI just want to know if they can be used on Sony a74 and can the video from a74 look like arri if I use these luts? brbrAnd thank you again I have subscribed to you amazing channel
Comment from : Vipul Singh

Hi Christopher, great video and lots of great visual examples to compare different looksbrbrAnyway, I gave up messing around with LUTs for one major reason: Regardless of how well these have been developed, it's still a lookup table (compared to curves and wheels in your NLE), and the LUTs are all in Rec709 which is a pretty small color space, quickly coming to its limitation when doing intensive gradingbrbrInstead, I set my whole workflow in DR to the Arri Log-C color space and transform every footage into Arri Log-C at the very beginning of the node tree, regardless of the camera used This comes with 2 major benefits: all color grading is done in lovely Arri Log-C color space, and even 8-bit footage does not break apart as fast as when grading in Rec709brbrYes, there is a massive downside: rendering takes far longer because the node tree is about computing the colors rather than looking them up in a table (the lookup table)brSo, for quick review purpose, I created a few LUTs as export from my favourite grades and throw one onto my footage (as you recommend for the purchased LUTs) to get very fast render times But when it comes to final delivery, I always let DR calculate the colors from scratch to get the utmost quality
Comment from : Joy of Filming & Color Grading

If I apply these on the BMPCC 6K whilst shooting in BRAW will I be able to get this look from them so I have a better idea of how it'll look in post? I only just ordered one so haven't tried
Comment from : Taylor Stevenson - Filmmaker

was all the footage from the 6k or 4k?
Comment from : Simon Mortensen

Julius Pringles thanksgiving ca early
Comment from : Movies World

Dream on )))))
Comment from : Mario Grey

Great video!
Comment from : Joe Mans Land

These are my GO TO Luts with my Canon EOSM & ML & FUJIFILM X-H1 brMy personal favorite lut is Utopia and for the other normal shots I use the Neutral lut
Comment from : Hananias Q

Please put a chance here to get that camera and film making equipment
Comment from : Sg (Scissors Grate) Videos

Nice to see how the Wirral would look if they made a proper movie here! PMSL at the cardboard ARRI I have a BMP 6K Pro and will give these LUTs a whirl Thanks Christopher
Comment from : Ken Doughty

Man I absolutely love you as King Viserys Targaryen!
Comment from : kamikaze1213

Thank for your video but the sound is not audible
Comment from : Jo Buscker

Lovely footage
Comment from : Adam Drake Studio

Can these work with URSA Mini 46K Pro footage?
Comment from : Chris Ingram

How do the phantom luts compare to the buttery luts?
Comment from : Wakko Warner

Your volume is super low
Comment from : Fun Film

Solid job
Comment from : Aaron Bean

Hello!! whats is a legacy ¿More dark? or another versión
Comment from : Carlos Eduardo Menjivar Aguilar

You should not use LUTS as starting point, but non-destructive processes to correct the color The colors are nice, but you can get close with a few non-destructive tweaks in Resolve Better save those grades for future edits
Comment from : exinexi

I appreciate attention to detail too Do you have an Amazon link for wide devil lenses?
Comment from : Douglas Kubler

Wrong!
Comment from : johnsondigitalmedia

no body is talking about colorcove LUTs, are the best
Comment from : Aperture

Can we use this on bmpcc OG ?
Comment from : Riza Adam

I'm gonna check out these luts, thank you!
Comment from : Drewxcifer

what about the BMPCC OG
Comment from : John F Hebert

$50 is a drop in the bucket of an investment
Comment from : Vern Fields

Juan Melara has some superb LUTs for the Alexa 'look' He supports the Pocket 4K/6K as well The Blackmagic cameras do offer a beautiful look in their own right, but Alexa's magic goes beyond the LUT and into the realms of the sensor etc etc I loved the original Ursa's color rendition, and the Ursa Mini Pro G2 can probably get you closer to the Alexa ballpark since its sensor is very versatile and much more malleable in the highlight rolloff (and as bad as the older Super 35 Arris if you really push the ISO)
Comment from : Vaidehi Arts

What a fantastic video, first time viewer here I’m absolutely amazed by the effort you put into your videos, great humour, great content, and great visuals Just subscribed can’t wait for more!
Comment from : Gustaf Prates

Are there any women out there making LUTs? I can't find any Women have provably better colour vision than men A 2010 study suggested that nearly 12 percent of women may even have a fourth colour perception channel Look up Tetrachromacy for details
Comment from : Neil Scott-Sills

Nice VidéobrI get the best result with filmconvertbrImho best tools specially the integration in da Vinci is greatand the control is really goodI can match easy GH5,4,5s,S5 BMPCC6K 4K to any analogue film true celuloid film
Comment from : Filip Michal Saffray

Oh cool! yeah i'm going to check these out! i've come to a completely non-scientific opinion is that one way to get that arri alexa "look" in the BMPCC world is with the OG, with its Fairchild censor I'm not sure if the colors are in the same ball park (i'm pretty sure they aren't), but how that OG censor produces an image with its amazing highlight roll off and just how buttery smooth those images are I have the 4k and 6k G2 but when i just want to go out and shoot while on a walk? i'm 100 of the time bringing the OG
Comment from : David Palmer