Minimise Noise on Blackmagic Pocket Cinema Cameras! | 7 Important Tips

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Информация о Minimise Noise on Blackmagic Pocket Cinema Cameras! | 7 Important Tips

Название	:	Minimise Noise on Blackmagic Pocket Cinema Cameras! \| 7 Important Tips
Продолжительность	:	6.49
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From my personal experience, in all types of lowlight shooting environments, ranging from highly controlled gaffer managed setups to pure chaos, the ISO 500-1000 range, particularly 800 is an absolute noise MENACE on all the BMPCC, be it 4K, 6K, Pro or G2 I avoid it like the plague Particularly, if you're in a pinch and too pressed for time to make the appropriate gamma curve adjustments to coincide with the respective ISO That type of predicament can also be problematic at both native 400 and 3200 or pretty much any ISO It's important to take note, especially when shooting BRAW, when operating in the 1000-1250 range, the middle gray drops a couple stops The reason 1250-1600 performs like a champ and has often served as my proverbial "sweetspot" in the majority of lowlight conditions is I always make sure to shoot at a wider corresponding aperture to appropriately compensate Remember the word here is "compensate" NOT "substitute" There is no and never will be a legitimate substitute for proper optimum lighting conditions/environment But when working within your means, 1250-1600 range and a good solid notoriously reliable glass like the ever versatile Sigma Art 18-35, or if you're just rolling in dough, any premium lens above that would do the trick Ideally, Native 400 with proper light kit or 3200 and proper lighting with f/stop adjusted accordingly, is the way to go But 1250 is definitely the most versatile and consistently reliable for any low lit occasion The new Blackmagic Cinema 6K with full-frame is reportedly poised to improve upon all or much of that, but I can't speak to it as I haven't any hands-on time with the model yet To be continued
Comment from : Vicente Salas II

Why are you shooting 4:3?
Comment from : The Filmmaking Channel

Depending on the shot the BM graph that shows the stops that they have in light and dark areas may make yiou choose a different iso, lets say you have a dark scene with one bright area on the subject but you don't want losss of detail in the majority dark areas, simply shift your iso to the setting that has the highest number of dark 'steps' of data, and expose for the bright area
Comment from : Slipoch

You are amazing!
Comment from : Andy Lapwai Lau

The 6k camera has been amazing for me The gyro stabilization update is so good as well as the braw I do see noise slightly in everything except the lowest iso but the davinci noise reduction is great at low settings 400 iso seems to work well though still
Comment from : Josh Cox

Great video!
Comment from : Dan William Rooney

And noise in general it's not so bad, the problem of 12bit footage is the color noise, and with resolve you can remove the color noise and keep just the standard noise And if you embrace the noise as you said, can delivery some great images with the right purpose After all, the meaning, composition, lighting it's the real purpose of the footage, not if it is or not technically perfect exposed anyway nice content :D
Comment from : AB Filmes

I love shoot in RAW, but can't get people shooting 5:1 or 3:1 Even in movies the shoot 7:1 in RAW, so for us having 12:1 is perfect and already a lot of information The BRaw problem compared with the prores is the softness that BRaw have compared with the ProRes, but in most cases doesn't affect the image quality And if you will shoot in ProRes, the blackmagic proxie is f*** insane of how much quality can deliver versus the size of the file
Comment from : AB Filmes

Thanks for the info! Great vid but why the 4:3 frame youtube video???😅
Comment from : RaiderRomeo

can't trust someone shooting in 4:3 (just kidding, good stuff :) ) i have the pocket 4k and testing the noise in the raw ISOs
Comment from : Joelmorellano

Great tip about using focus assist to detect noise - I hadn't come across that one before!
Comment from : James Smith

Essentially, this was a very good tutorial
Comment from : Nathan Abrahams

I ´ve recently shot a movie full of noiseplayed it on the big screen - no onei said no one noticed any noise Lol Most comments regarded actors, music, dialogue, plot and sometimes prop details
Comment from : João Silva

Thanks for the tips I just got the bmpcc 6k g2 Do you use RAW constant bitrate or constant quality?
Comment from : DChaveit415

Thanks
Comment from : doug riter

Thank you for the advice!
Comment from : Kardo Santana

This is solid I've been caught out with noise/lack of sharpness simply from not getting focus right on run and gun shoots
Comment from : Aimon Bebendorf

Thank you! Great tips and very to the point, definitely subscribing
Comment from : Kim Eriksson

One of the clearest informative videos out there Thanks all the way from Maldives
Comment from : Mohamed Shamheed

This was such a great video thanks so much!
Comment from : Anubace

best tip is to know when and how you can get a nice image I got the OG and I always shoot at 800 and I heard on low light it‘s nice to shoot below, bc of the shadows detail, but outside day, it‘s best to shoot 800 for dynamic range correct exposure and grading is the rest
Comment from : Frank Hunes

Great information!
Comment from : ArtisticBehaviorMN

Fantastic video As a Pocket 4k user these are very helpful tips! Thank you!!
Comment from : Jesse Timm Miller

too fast great content but way too fast
Comment from : Crystal Fox Films

Sweet breakdown man! The closest I envision myself getting into cinema cameras would be the Sony FX3 (I know, it's not even lool) Hows the workflow using the BMPCC6K vs more mainstream consumer bodies like the Sony A series?
Comment from : Ron Kwok

Really great tips and also the footages showed looks really good I want to point out also that what people dont understand is that the BMPCC basically records what the sensor captures in RAW Meanwhile cameras like Sony, Canon, Nikon etc adds denoise and sharpening to the footage in-camera Which means that you want to denoise and sharpen the footage in post when shooting with BMPCC to get results that looks like mentioned brands
Comment from : Robbin

Excellent video! new sub
Comment from : Zona Filmmaker

Great video! keep it up 🔥
Comment from : Alejandro Parga

And those are good tips ! And they apply to all cameras, thanks for the vid !
Comment from : Kinetic Dance Academy Lacey

I solved the issue, got an A7IV, knowing how to shoot and grade yields the same look as the bmpcc, way, way less noise and for run and gun , top notch AF No more time wasted running neat video noise reduction with the bmpcc, way more efficient and faster workflow, at least my own personal experience
Comment from : Kinetic Dance Academy Lacey