| Название | : | Get Canon Colors With Any Camera?! |
| Продолжительность | : | 5.05 |
| Дата публикации | : | |
| Просмотров | : | 8,1 rb |
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can cinematch work on still photos? Comment from : @gregallenphoto |
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can this work with still photographs? Comment from : @gregallenphoto |
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I managed to figure out the curve which makes Fujifilm tones famous, after that I set them to my G7x with a custom picture profile I modified Now I'm whipping around with Fujifilm simulations in the G7x straight out of camera ✌️ Comment from : @-grey |
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Thanks for the awesome review! If anyone has questions about CineMatch, reply here and we'll do our best to answer them Comment from : @cinematch113 |
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What about nikon? Is a good camera for video? Why all pepople hate nikon on youtube? Comment from : @CVG388 |
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The C200 8 bit codec is a legendary 8 bit codec Comment from : @impatrickt |
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This is a little over my head, but looks really cool I haven't ever shot in log before, I just use one of the built in presents on my Panasonic Lumix G8 Comment from : @JusttheWatch |
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Awesome! Would this work with ZCam and zlog potentially? Comment from : @StephenBell_video |
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No abandones la gh3 Comment from : @franklinjrodriguezr |
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I believe Resolve already has a built-in plugin for matching color space between cameras It should also produce a similar result Also, Panasonic cameras for the win The GH4 footage looked seriously impressive given the age of the camera Comment from : @TheFraziers |
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Um abraço, Nigel! Optimo vídeo! Comment from : @PauloVaztek |
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Do you think this will work with non-log footage? Like using a Flat profile for each camera Thank you and advance Sir Comment from : @boahandarrowsproductions4326 |
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You cant' 100 match the Canon, because it uses different filters for the sensor You see, certain things change from camera to camera before light hits the sensor, and that's because of the filters Sony uses (and all cameras that use Sony sensors) This creates different acutance and ratios in the way they render the image, which makes it impossible to truly match 100 I personally prefer Canon's colors to Arri's, I find them more film-like (for certain types of film, pre 1980s -- Arri matches better modern film which I personally don't like as much as old film) I don't go near Sony sensors anymore I really don't like the look they produce They just don't look filmic, no matter the manufacturer of the camera As long as a Sony sensor is used, it's game over for me Comment from : @EugeniaLoli |
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This video came at the perfect time, I'm switching from Canon to Sony, BUT love the canon color science Great video! Comment from : @KirbyLeeFortenberry |
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why dont you use davinci resolve? Comment from : @Dilshadoysahl |
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I hate my canon colours I try so hard to get rid of it in post lol Comment from : @8lec_R |
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What I got from this, Panasonic cameras are legit timeless That Vlog 422 10 bit looked outstanding I just moved to Premiere to be able to edit my 10 bit footage with no hassle got a learning curve ahead of me, but I am looking forward to shooting more and getting better I am going to have my GH5 for a long time Comment from : @johnathanrobles9754 |
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how cool is that thumbnail subtle and pleasing it’s like graphic design from the future 👀👀👀 Comment from : @iComplainer |
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I wish camera makers included an option like cinematch Maybe in the future Comment from : @CozyChalet |
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Fantastic Your stuff is so useful Comment from : @datalaforge |
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I loved this video! Comment from : @dexister6959 |
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Just get a Canon cameravoila! Comment from : @lbeetech |
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Can you use something like cinestyle for this program? Comment from : @goldenearaudioreview4904 |
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You're Amazing NigelbrHope you're safe and healthy Comment from : @shan3705 |
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I like your videos || from Jo - Sy ar Arab countries Comment from : @mohamdhussin2261 |
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Big up! Love your work!!! Comment from : @hopsenrobsen |
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